Book Reviews

A Compendium of Essays:
Purcell, Hogarth and Handel,
Beethoven, Liszt, Debussy, and Andrew Lloyd Webber
E. A. Bucchianeri
Now Available!

1stbooks Library
(November 2002)
200 pp.
Hardcover:
ISBN 1-4033-7071-0
Paperback:
ISBN 1-4033-7070-2
E-book:
ISBN
1-4033-7069-9
Phantom of the Opera and ALW fans may
find the essay "Andrew Lloyd Webber's Phantom of the Opera: An Example of
the 'Musical Theatre Renaissance' " of particular interest to them.
This essay explores ALW's POTO from a musicological and philosophical
viewpoint. Research for this essay was based on studies of the original
1986-88 London score!
For more information, just click on the
book cover above!
The Phantom of Manhattan
Frederick Forsyth

I can sum this book up with one word; --
yuck.
Forsyth has dared to declare that
Leroux's tale was badly written and that Lloyd Webber's muical is the only
version of the Phantom tale that makes any sense. As much as I love Lloyd
Webber's musical, Forsyth's claim is pure rubbish. (Of course you know he
said this only to facilitate the creation of his version as it was reported
Lloyd Webber had planned to compose a sequel for his musical and was going to
use this for his libretto.)
This sequel is really disappointing; to
all intents and purposes, Forsyth simply turned the "Phantom of the
Opera" into "The Phantom of Wall Street"; Erik no longer loves
music -- he becomes a slave to gold. Sad.
It's almost worth it to buy the book so
you can see how bad it is...
Maskerade
Terry Pratchett

Published by Gollancz
At
first, I was sceptical about spending money on a book which I had heard was a
comedy on Phantom. But don't worry fans! This book doesn't actually
make fun of Erik per se, but upon the opera world.
Pratchett's dedication in the book reads "My thanks to the people who
showed me that opera was stranger than I could imagine. I can repay their
kindness by not mentioning their names here." (Bizarre sense of
humour; I think you can see what I mean....) The story is set in a
fiction/fantasy world called Discworld which is populated by comical
dwarves, witches, humans, etc. Even if you are not a Discworld fan and have no
clue as to what I'm talking about you can still keep up with the story. I
was surprised to find the 'Phantom' character in the book wasn't mentioned as
often as I would like - so don't wory about Erik getting roasted in this
book.... It was quite a 'fun' read.
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Journey
of the Mask
by Nancy Hill Pettengill

Writer's Club Press, USA
ISBN 0-595-12484-4
In all, this book was a good
read! Erik manages to kidnap Christine and whisk her away to New Orleans to
start a new life and to see if she can learn to love him finally. This sequel is
much better than Forsyth's "Phantom of Manhattan" and is more
believeable too. It reads much like Susan Kay's "Phantom", so of
course you can guess that Pettengill was influnced here! It is hard to write a
review for this without giving the story away, so I'll just mention some things
I noticed.
* I
miss Erik's 'mysterious' Phantom - image as he has now left his life at l'Opera
behind. *
The story resumes Erik's interest in magic and the occult - the story assumes
the feeling of being back in Persia, though it is set in America.
Strange, I know. A sense of history repeating itself - but without any torture
chambers.... *
The author has changed some of Leroux's narative around and added some of her
own ideas; Christine's childhood home is set in Brittany, not Sweden.
Raoul is a right 'ole snake and pulls a nasty trick on Erik (but of course
Erik knows what he is up to...) - I guess Nancy is a Raoul hater! And they
confront each other on the stage of the theatre. etc.
* This is one point that
bugged me; too many 'marital relations' scenes. I can understand the
author wanting to show Erik finally having a normal married life, but for me,
this tended to be an overkill! *
I guess that's about it!
In all, this book is still a great read!
Worth getting if you want to recover after Forsyth's book!
Phantom
Phantasia; Poetry for the Phantom of the Opera Fan
by E. A. Bucchianeri
EAAB Publications ©1999
I know, I know! Here I am plugging another book; but
what the heck! Might as well promote my stuff too.....
"Grin!"
I never thought that I'd get addicted to poetry
composition, but I guess I did! This book contains poetry ranging from the most
serious to the most silly thoughts about our most beloved Erik and other
facets of Phantom related culture. Why did Erik place the Dies Irae on his
wall? What the heck IS the Dies Irae...? There's a poem on this subject. What
did the stature of Apollo witness one solatary night? There's a poem on
that. What did Erik think about his life in the cellars? Why did he dress as Red
Death for the Masqerade? There are poems on these topics too! (And there's one
requesting that someone give Frederick Forsyth a lobotomy!)
This book includes some of my own illustrations as well
as some pictures of the Paris Opera house.
If you want to read other reviews by fans and find out
more, you can check out this link! This is the only site where you can get this
book! (Well, I'd recommend it anyway, even if I did write it myself! Click the
link below for more info!)
http://welcome.to/eaab
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Andrew Lloyd Webber: His Life and Works by Michael Walsh
Harry N. Adams Inc. New York
(Updated version 1997)
Includes approx. 175 illustrations and 125 plates in full colour.
When it came time to do some research on Andrew Lloyd Webber for my college
dissertation, this book proved to be a priceless source of information. This is not your average'coffee table' book with nothing but pictures and no reading material. And it is not your typical
tabloid type book filled with 'gossipy news.' Written by an author who is trained in music, you
actually get an unbiased view of each of Lloyd Webber's musicals as well as a detailed account of
Lloyd Webber's life from childhood up to the present day.
However, the only thing that puzzled me about Walsh's chapter on "Phantom" was his dates
concerning the novel, and other details. He states that Leroux's novel was written in 1910, and
that the silent movie is dated 1926, not 1925. Yet, his analysis of Lloyd Webber's music is correct.
What is more, for anyone out there writing a music report on musicals and opera, Walsh brings
this subject up in his preface. Also, there are a couple of pictures that are quite interesting, such as
one featuring Sarah Brightman in her "Christine" costume on the roof of the actual Paris Opera
house. What makes the chapter on "Phantom" even more interesting is that Walsh mentions a time
capsule that is buried there that will be opened in 2007.
In all - I would definitely recommend this book.
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***
Charles Garnier's Paris Opera:
Architectural Empathy and the Renaissance of French Classicism

By Christopher Curtis Mead
An Architectural History Foundation Book
The MIT Press
The Massachusetts Institute of Technology
ISBN 0-262-13275-3
If you are the fan who has to know the whole history of the Paris Opera House from beginning to
end, then this book is it! Also used by Susan Kay for her research for
"Phantom", this book not
only tells about the Opera House, but of Garnier's life and studies as well as his philosophy
concerning architecture.
This book features many photographs from the building of the Opera House during its various
stages, the sketches entered for the Opera competition, other buildings built by Garnier and much
more.
I would certainly recommend this book even if you don't know a thing about architecture! A must
have for the historically -minded fan.
***
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Le Fantôme de l'Opéra
Gaston Leroux
Le Livre de Poche
(paperback)
ISBN 2 -253 -00950 - 4
Uncut version!
What can I really say about this version besides that it is brilliant? I am only learning French
just
now...but this book sure is a joy to read! If you don't speak French, I'd nearly suggest that you
learn just to read this book!
The way that the story is told and punctuated in the original French adds a whole new
dimension to the story for me. I have come across a few bad translations of Phantom in English
which left quite a bit out concerning the characters and their development,- this book surely sets
the story straight and it displays Leroux's own writing style which doesn't quite come across in
English in my view....(but that could be the bad translations that I've read!)
In all, if you are studying French, or speak it already....buy this book!
: )
****
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Dorset Press 75th Anniversary Edition.
Dorsett Press, New York, 1988
ISBN 0-88-029-298-9
For a book that was meant to be a 75th Anniversary edition, it proved to be a bit disappointing
in the fact that the story itself was edited! What was annoying was that all the descriptive
elements were taken out, such as Erik naming the lake Averne after the Roman Mythological lake
of the Dead, and other things like the dialogue between
Christine and Erik and some of the events
that happened when she was first taken to his home, as if it wasn't important! The same with
the Persian's Narrative as well, and quite a few other areas.
However, the book has some other interesting features such as a foreword by Peter Haining
concerning the life and work of Leroux and the history of the Opera House, some pictures of the
1925 Silent film posters and one of ALW's musical (not in color), and two articles by literature
students linking some areas with Sherlock Holmes and the story of the Opera Ghost. At least
with these added bits, the book is not a total loss. Yet, these sections cannot make up in my view
for the cropping of the original story itself when you would expect something better from an
anniversary edition.
*****
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Piano /Vocal Score -Lloyd Webber's The Phantom of the Opera
Hal Leonard Publishing Corporation
ISBN 0-88188-615-7
This score is great fun! There is nothing like being able to play the songs from Phantom yourself!
There is a piano solo version available, but if you can only find the voice and piano book; don't
worry. The accompaniment carries the melodies so you aren't left in the lurch with 'background'
music!
The songs are set in their actual keys so if you are interested in getting a copy for research
purposes it will do. (Except that Music of the Night is actually in C#, not Db as in this book.)
However, the key signatures for some of the songs for beginners can be a bit daunting! But not to
worry, like all good popular music books today, the main accompaniment chords are given on top.
(And just a tip for those of you trying to get through the opening chords of
Past the Point of No
Return; - just keep in mind that they are all in second position and go in a whole tone scale, you'll
make it without bothering too much with all the accidentals!) : )
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